Crossed My Mind

The holy triumvirate of Ely, Gilmore and Hancock proves that the oft-ridiculed singing saw can easily replace country's much more obvious pedal steel, which can indeed be heard on Willie's just-as-melancholic original. Steve Wesson's the player of the thing, and he's a master.

Flatlanders - One Day At A Time
Willie Nelson - One Day At A Time

Back To This Place

Calexico just might be the most consistent band around. The lads from Tucson have yet to release a subpar record, and their new The Thread That Keeps Us is indeed another keeper. Their trademark desert rock is there, often Mexican-spiced of course, but there's plenty of pop sensibility to be found as well. And as the uplifting Another Space shows, Burns and Convertino can play da Remain In Light-like funk with ease, too. Class, pure class.

Calexico - Another Space

Songs Of Its Own

The Dead with a horn section? Yup, they tried that experiment too, albeit for a short run only. During nine September '73 gigs Garcia & co shared the stage with Joe Ellis (on trumpet and flugelhorn) and Martin Fierro (on flute and sax). The results were a mixed bag to say the least, but sometimes it did actually take flight, as you can hear below. Thanks to the always interesting Save Your Face blog for the tunage btw. Hey now...

Grateful Dead - Eyes Of The World (Live Buffalo Sept. '73)
Grateful Dead - Eyes Jam (Live Buffalo Sept. '73)

Come Back Here

Just got the sad news that Mark E Smith has passed away yesterday. The cranky leader of the mighty Fall, a true original and eternal hip priest, was only 60. Miss him-ah.

The Fall - Dead Beat Descendant
The Fall - Fantastic Life

I Like Gold

First reggae re-release of the new year alert. One would be excused for thinking the venerable Pressure Sounds label would be scraping the bottom of the roots barrel by now, but the soulful Meet The People surely deserves a second chance. Released back in '78 on Jamaican soil only, so quite rare, it was recorded at the famous studios of Joe Gibbs, whose trusted engineer Errol Thompson manned the mixing desk. "Listen to me now..."

Lloyd Parks & We The People - Reality

Met My Sweety

It's 1957, and the lovely Bobbettes are merrily hiccupping away, like ska singers avant la lettre. One, two, three... It's true: records like these have no sell-by date.

The Bobbettes - Mr. Lee

Secret Of This Place

If the quality of the cassette-only (ha!) debut of this Kansas City-born (ha! again) youngster is anything to go by, I guess we'll be hearing much more from Anna St. Louis in due time. Bluesy opener Wind-Up reminds me of the late great Libby Cotten somehow, and that's no mean feat indeed.

Anna St. Louis - Wind-Up

Burn Up

"I felt a rumblin' beneath my feet, and the whole world was shaken free..." Or: presenting a fiery six pack for your listening pleasure. And how's that for a centerpiece, my amigos da musica? Brimstone all the way. Blazing artwork by Tinca. Woosh...

Boyd Rivers - That Fire Shed In My Bones
LaVern Baker - Soul On Fire
Clifton Gibbs & The Selected Few - Brimstone And Fire
Link Wray - Fire And Brimstone
The Saints - Just Like Fire Would
Bullet Lavolta - X Fire

Bring The Goose

When the Swede over at the always interesting Unthought Of, Though, Somehow blog hailed Richard Dawson's latest as his musical highlight of last year, I just had to check it out. And his description - 'claustrophobic medieval avant-garde folk-noir' - sure proved spot-on, as Peasant is a record you don't hear every day to say the least. If Robert Wyatt fronting a lo-fi Incredible String Band in some godforsaken British bog sounds even remotely like your thing, don't hesitate. Uneasy listening guaranteed.

Richard Dawson - Ogre

Heavy Nuggets

Caution: wild trip ahead, with a triple dose of goodies from the first three volumes of the Brown Acid series. Yet another younger brother of Lenny Kaye's famed Nuggets compilation, although the bands are much more obscure here and the songs way heavier. Recorded after Altamont ended the hippie dream once and for all, these slabs of proto stoner rock provide the ideal soundtrack to the post-Aquarian comedown. Find your copies on the mindblowing Riding Easy label: editions four and five have dropped as well in the meantime.

Raw Meat - Stand By Girl
Crossfield - Take It!
First State Bank - Before You Leave

Home Again

Yet another straggler from last year's bounty. Jason Isbell's The Nashville Sound came first in the always twang-heavy reader's poll of No Depression magazine recently, and for a good reason. The former Drive-By Trucker's sixth album is yet another solid batch of articulate white man's blues, and we can't have enough of that now can we?

Jason Isbell and the 400 Unit - Hope The High Road